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the higher self. On the sovereignty of individual human

understand and respect the sovereignty of people I as a sculptor who constantly take in the shaping of personality judgments. It is not only for the positive results of their decisions, but as for the negative, which means that they are the originator of the possibilities and impossibilities of a human, and because of that the fundamental tensions that want to live in one personality.

created The sovereignty in every course of life a kind of knot, you might say also a question that has often only subliminally, but is present in all aspects of the personality and life. Your handwriting is not to be overlooked, just like a painting by Pablo Picasso is not to be confused with one of Marc Rothko. The concerns of sovereignty is to raise not only a statue on a pedestal, a personality, then, is fraught with nothing but skills, but their aim is to evoke a physical-mental-spiritual fabric of space and time, focusing on the world, on the other people and moves on itself.

The sovereignty of a man has a concern. She wants something specific, and they will, that what we call our contradictory personality, the whole of the statue and lump some, of course not as a finished result as a more or less successful in the world, "Thrown- be "within the meaning of Martin Heidegger, but as a certain indefinite-operation in space and in time, yesterday was already in progress, this is pending and will be going tomorrow.

yourself at ease on the world, other people and themselves zuzubewegen, means nothing other than get involved with the concerns of its own sovereignty. The act of affirmation takes place in the personality that has been in the consciousness soul (Rudolf Steiner) emancipated from their sovereignty. In the consciousness of the human soul is a "free citizen" in the realm of its own sovereignty.

The higher court, which we call the self or the higher I need the free recognition from the side of the personality, which was caused by them. If the perspective of sovereignty will be excluded from the personality, which can easily happen, that means immediately that the concern is not taken in the course of life.

is the sovereign - and here lies a paradox - although confident, however, depends on the deeds and misdeeds of own personality. This is not a contradiction: even the sovereignty of a political sovereign, such as a king, is bound by the will of his subjects. No king can rule a long time against his people. And also a king is no king without subjects, that is, can not be what it is.

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red text. On Foucault and the mission of friendship

three years before his death in 1984, Michel Foucault expressed as follows Defert about his relationship with his friend Daniel: "I live in a state of passion with someone. Perhaps this passion has turned into love at some point. In reality it is a state of passion for us both, a permanent state of no other reason, terminate as himself and I fell completely, passing through me. I think that there is nothing in the world, nothing, whatever it be, that would prevent me, if it were a question of seeing him again to talk to him. "

This choice of words, for Foucault in the last years of his life significant: He mentions the great idea of love, distant from it softly with the word "perhaps", evokes in his descriptions, however, an intensity and intimacy that leaves no questions about his feelings for Daniel Defert open. His biographer, Didier Eribon summarized quite simply: "Foucault has loved him until the end."

Foucault's thinking about the friendship has been shaped by the fact that he was homosexual. For Foucault, this meant above all that the design of the relationship was not pre-programmed by society, a homosexual relationship was in a dark and gloomy area in which had a hand secrets are kept - we speak of the early sixties - and also a homosexual relationship form not yet been determined. Gays and lesbians "from A to Z must invent a relationship that is still informally: the friendship".

Foucault developed a perspective on relationships that basically a hopeful prognosis means in his eyes should relations between people, between people, more and more be determined by the need to capture internal and external freedoms and maintain. Foucault generalizes the specific position of the homosexual relationship, for all intimate relationships who want to make on the basis of a personal closeness is, that they are socially in a special situation.

Francisco Ortega holds this view as follows: "According to Foucault, we live in a world which have contributed to social institutions to limit the number of possible relationships. The reason this restriction is that a society that the increase would permit the possible forms of relationships to manage, and difficult to control would be ".

Accessing the friendship means to create minorities, which make the power of resistance. " Inspiration from this enlargement of the idea of friendship is that they bridge the gap between private and public strikes. It gives a positive dignity of friendship, not only for operators but also the social life and society.

This bridge is worn for my understanding of three pillars: 1 The self-knowledge and "self-forming Practice ", that is, the sovereign and creative relationship from me to me; 2 the connection from me to you, with the associated joint responsibility for the design of the sovereign relationship; 3 the importance of one and the other friendship to the lives of many more people for the people to the friendship pairs around, eventually for public life with all its institutions.

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birds as friends. About Elster, the robin and the great tit

I'm a city man through and through, and I've found for me that I therefore like flirting. I'm doing after a long stay in the country or in the forest so that I am again longing for the city. I like the world of kiosks, bars, Trams and supermarkets. The proximity to trees, plants, meadows, streams and animals is not given, an internal connection to make, I usually do something. To put it in a nutshell: forest land and its effect on me (unfortunately) like museums where you find beautiful-but-old things that have to do with the presence of very little.

A clear exception is the birds. Since my youth I maintain a close relationship, for example, the blackbird (for me it is still "Meredith"). When I was a child at the open window sat and dreamed to myself, she sang from the top of the roofs of their slightly melancholy song. You seemed to adopt from that, what also made me a little sad the day that lay behind us. At the same time she longed for something that was just coming in: the night. My grandfather called the Blackbird, the "Songbird of the city". It is conceivable, but probably not feasible to describe my life as a series of silent "meetings" with the blackbird.

birds ... A few weeks ago a good friend sent me from Switzerland (Andrea, greetings welcome!) Three small book with three small titles: "The Robins", "The great tit" and "The Magpie". The booklet, just a little larger as include beer mats, short texts and small drawings, but the doors open to large worlds. When I finished reading it, I was not only enthusiastic, but also enriched: I got some new friends. The books are designed as "Adamic" (Walter Benjamin) call to descriptions of "entities". Small worlds are large at a time, simply by two people (Text: Wolter Bos; drawings: Johanne Hoek) to care lovingly for something that is not usually observed.

to Elster I already had a relationship that is described in the twentieth chapter of my book heart works. I already knew what happens to me when I the proud and bold movements and rasping noise of the two magpies - they are most often seen in pairs - in me "repeat": they combine ignorance with sovereignty, an almost impossible feat ... The Magpies are both shy and brutal, and in the colors of their appearance, they reveal that they unite contradictions: deep black and clear white relate to each other confused.

The robins I was not yet really met. Wolter Bos: "For a while the robin is sitting almost motionless (on a hanging branch of a beech JvdM.), Then suddenly it fly unerringly to the nearest shrub, from there to the ground. Nimble and agile, it passes through the vegetation in the recessed spaces. But always, it observed a movement break. So it is awake, but without haste and noise, according to his employment. " [...] While we are watching moves, also us alone. It is as if we had taken place in a quiet, soulful space '.

addition to this text there is a drawing by Johanna Hoek: a hanging branch with tender green, like in the spring of heaven - sitting on the branch (as decided, would have to say really) the robin, with space around it , which is experienced by a space, because the bird is so clear and tranquil as the "center" offers. No, the drawings are not illustrations to the text: they provide an exercise for the eyes. My advice to readers: you only sunk in the drawings, and only then read the text.

"The robins [...] makes for all the control and distance, not a cool idea. Although it lives in its own space, and it is self-sufficient. But unlike the Red-backed Shrike still shimmers with him a kind of internal investment in its environment through ". And: "The rich song of the robin takes a [...] with interior in a province where there is heavy and dark, but that is repealed again in light and brightness".

The author and Artist are modest. They are in the service of a cause, the cause of birds, namely, or rather the cause of the relationship between us and the birds. What she experienced - and thus also "conceivable" - make the close spiritual nature as a space.

What is philosophically a difficult topic to show: the importance of our fine feelings (I do not mean our emotions), their status and significance, in short, their "truth" to light gets in the simple but striking drawings and features a direct evidence. It does so fun to look at the drawings and read the lyrics. They make the world pretty much.

And the great tit? "A man who wants to acquire the ability to rapidly switch in the room, it must first take everything slow. [...] Above all, he must learn to let go of the recent movement in the form, the next currently have. This is achieved without the nervousness, if he is already inside the target. This is precisely the presence in the surrounding space, which is so characteristic of the great tit. These are all spiritual and psychic abilities kind that would be a man erüben. The great tit, where they are ready. They flow from their membership of its kind. Yes, they are kind. "

The booklet can be ordered at wolterbos@zonnet.nl, it exists in Dutch and German.

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Altwindeck: a village without a past. About baskets and texts again

I was recently in Altwindeck, a small village not far from the victory. Along the narrow winding streets there are half-timbered houses, the very large and very small, which are quiet and modest, as it was their business to have to speak loudly of a past. The old mill, the town house, the village square and the Gasthof "Zur Linde" is to provide unobtrusive, are there for you, need your attention, however, not to be what they are: resting in the phenomena.

The past of Altwindeck does not seem to be great. I mean, major poets, musicians, philosophers, statesmen and entrepreneurs were not born there. And decisive battles have the hill away from this village, as far as I know, not taken place - yes, as far as I know it is from Altwindeck obviously do not know much. In a booklet about the village is only spoken of the "present" and the "future" of the village.

live today in this village about 300 people, few of them are on a Saturday night at the inn "Zur Linde", drinking beer, smoking cigarettes (the smoking ban Altwindeck has not yet reached), and allowed to talk about the little-big events of the past week. The villagers seem to get along quite well, and talks for three hours without any complaints or allegations. Something like "policy" does not seem to exist. And taste the steak, served with a pile of onions and potatoes, delicious.

Together with my partner, I spend the night with Charles and Mary Ann, two wind-nuts that hold an entire floor for guests ready. Down in the basement of the house there is a bar with heavy liquids from all over the world, I even discovered a bottle of gin Jonge from Holland. A half hour we talk about four of the whole world: no continent is left out. Charles was once an engineer, is now retired and has "a lot" to the ears. If I remember correctly, this week is a journey to Brazil. Annemie especially enjoys the fact that they can talk to my girlfriend in English: "Quiero espagnol" she says constantly cheerful.

will then spoke of the life of responsibilities, concerns, illness, stress, family situations - but again: no charges or complaints. Life seems to be OK in principle, one should not expend only ... A type of traditional self-knowledge shapes the narratives are not free of drama are, however, be considered in a "realistic" framework. The fact is that life sometimes hurts, it should surely not be surprised. Are we not all "people"?

Next Sunday morning, there are Altwindeck in a traditional craft market. More than ten thousand visitors are expected. The entrance of the village streets are guarded by friendly young strict: no foreign cars allowed to drive into it. Around the community center - where do you get coffee, beer, potato cakes and sweets - craftsmen may be found: watchmakers, weavers, blacksmiths and basket makers, broom makers and bread bakers. And a little horse is instructed to put the mill in operation.

The basket-maker, about forty years old, sitting on a stool, holding in his mouth a cigarette, and is in a slow pace of work, which it does not interrupt. Around him are at least a hundred wonderful baskets you could buy, the man would not have to weave in the process. I will immediately clear which basket I buy, so have to buy, because without him my life would remain empty and hopeless. I already know where I will stand up to the basket, on the broad windowsill next to the kitchen table where I always leave my texts arise. is

When his cigarette, watching the Basket-makers around him, finally noticed me, said nothing, however, appear to offer any of it, like a half-timbered house that unexpectedly opens one of its tiny windows ... I must therefore ask you something, for example, if I could buy a basket COULD. When I asked, so here is my question, he nods his head, which means something like: well, if you like ... So I buy a basket, I think of willow branches (I'm not sure, but trust me to not to ask that - something you should know it!) And leave the man alone. He has not spoken a word. In his mouth already put another cigarette and his hands have the rhythm immediately recovered.

Now the basket next to me in the kitchen. And I write. And I think: I would like to offer time as a craftsman in a market, then I take with my kitchen table, my chair from Ikea and my laptop, sat down and braid old texts. And if someone came over and would like to buy for nineteen € a text, I would say nothing. I would not even want to know, to appreciate what windowsill in his soul the lucky buyer intends to my text. I would say to me, Jelle, you are a traditional craftsman, nothing more. That's enough, right?

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Station 4 About voices in a dark night

Station 4 is coming to the night. In the corridors, everything is slower. The steps of the nurses are sluggish, muffled the voices, the ringing of the patients less frequently. The silent transition into the dark and indeterminate and unconscious fills me with the desire to free myself from my thoughts & me of the invisible hand of God left to give.

Today there is not God. God is far away. And the fact that he alone can decide myself, my life seems fragmented. I only see chunks and shreds & Splitter. And I understand: for the work to create a unit out of my life, I am dependent on my own. I will not sleep tonight & tomorrow not get up again. And above all, I will not be impressed.

mind I need me that night not to do - they come by themselves, like hungry wolves. They pounce on me, me tear up. I can not deny it, do not throw out their elegant track, not hide, not be distracted by arguments or even stop. They do not listen to me.

appears just before my mind's eye my friend Jan Frans, who died more than twenty years - he was just thirty-five - because his aorta burst. Just like that. One day he told me: "When the night comes, you should better go to bed, you'll catch the demons." When it comes to demons knew my friend know. "Uncontrollable thoughts," he said, "remote-controlled. You will be sent to you to awaken fears. And you know why? Because your fear is food for the demons. "

The thoughts that come to me, telling me that life is actually quite simple. I just had to understand only that it is irresponsible to smoke, drink, me not to move sporty, not orient myself to the rhythms of day and night, letters of not answering and emails will not open up important letters from the Treasury, the plants in my apartment and not water to the refrigerator not to clean.