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the higher self. On the sovereignty of individual human

understand and respect the sovereignty of people I as a sculptor who constantly take in the shaping of personality judgments. It is not only for the positive results of their decisions, but as for the negative, which means that they are the originator of the possibilities and impossibilities of a human, and because of that the fundamental tensions that want to live in one personality.

created The sovereignty in every course of life a kind of knot, you might say also a question that has often only subliminally, but is present in all aspects of the personality and life. Your handwriting is not to be overlooked, just like a painting by Pablo Picasso is not to be confused with one of Marc Rothko. The concerns of sovereignty is to raise not only a statue on a pedestal, a personality, then, is fraught with nothing but skills, but their aim is to evoke a physical-mental-spiritual fabric of space and time, focusing on the world, on the other people and moves on itself.

The sovereignty of a man has a concern. She wants something specific, and they will, that what we call our contradictory personality, the whole of the statue and lump some, of course not as a finished result as a more or less successful in the world, "Thrown- be "within the meaning of Martin Heidegger, but as a certain indefinite-operation in space and in time, yesterday was already in progress, this is pending and will be going tomorrow.

yourself at ease on the world, other people and themselves zuzubewegen, means nothing other than get involved with the concerns of its own sovereignty. The act of affirmation takes place in the personality that has been in the consciousness soul (Rudolf Steiner) emancipated from their sovereignty. In the consciousness of the human soul is a "free citizen" in the realm of its own sovereignty.

The higher court, which we call the self or the higher I need the free recognition from the side of the personality, which was caused by them. If the perspective of sovereignty will be excluded from the personality, which can easily happen, that means immediately that the concern is not taken in the course of life.

is the sovereign - and here lies a paradox - although confident, however, depends on the deeds and misdeeds of own personality. This is not a contradiction: even the sovereignty of a political sovereign, such as a king, is bound by the will of his subjects. No king can rule a long time against his people. And also a king is no king without subjects, that is, can not be what it is.

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red text. On Foucault and the mission of friendship

three years before his death in 1984, Michel Foucault expressed as follows Defert about his relationship with his friend Daniel: "I live in a state of passion with someone. Perhaps this passion has turned into love at some point. In reality it is a state of passion for us both, a permanent state of no other reason, terminate as himself and I fell completely, passing through me. I think that there is nothing in the world, nothing, whatever it be, that would prevent me, if it were a question of seeing him again to talk to him. "

This choice of words, for Foucault in the last years of his life significant: He mentions the great idea of love, distant from it softly with the word "perhaps", evokes in his descriptions, however, an intensity and intimacy that leaves no questions about his feelings for Daniel Defert open. His biographer, Didier Eribon summarized quite simply: "Foucault has loved him until the end."

Foucault's thinking about the friendship has been shaped by the fact that he was homosexual. For Foucault, this meant above all that the design of the relationship was not pre-programmed by society, a homosexual relationship was in a dark and gloomy area in which had a hand secrets are kept - we speak of the early sixties - and also a homosexual relationship form not yet been determined. Gays and lesbians "from A to Z must invent a relationship that is still informally: the friendship".

Foucault developed a perspective on relationships that basically a hopeful prognosis means in his eyes should relations between people, between people, more and more be determined by the need to capture internal and external freedoms and maintain. Foucault generalizes the specific position of the homosexual relationship, for all intimate relationships who want to make on the basis of a personal closeness is, that they are socially in a special situation.

Francisco Ortega holds this view as follows: "According to Foucault, we live in a world which have contributed to social institutions to limit the number of possible relationships. The reason this restriction is that a society that the increase would permit the possible forms of relationships to manage, and difficult to control would be ".

Accessing the friendship means to create minorities, which make the power of resistance. " Inspiration from this enlargement of the idea of friendship is that they bridge the gap between private and public strikes. It gives a positive dignity of friendship, not only for operators but also the social life and society.

This bridge is worn for my understanding of three pillars: 1 The self-knowledge and "self-forming Practice ", that is, the sovereign and creative relationship from me to me; 2 the connection from me to you, with the associated joint responsibility for the design of the sovereign relationship; 3 the importance of one and the other friendship to the lives of many more people for the people to the friendship pairs around, eventually for public life with all its institutions.

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birds as friends. About Elster, the robin and the great tit

I'm a city man through and through, and I've found for me that I therefore like flirting. I'm doing after a long stay in the country or in the forest so that I am again longing for the city. I like the world of kiosks, bars, Trams and supermarkets. The proximity to trees, plants, meadows, streams and animals is not given, an internal connection to make, I usually do something. To put it in a nutshell: forest land and its effect on me (unfortunately) like museums where you find beautiful-but-old things that have to do with the presence of very little.

A clear exception is the birds. Since my youth I maintain a close relationship, for example, the blackbird (for me it is still "Meredith"). When I was a child at the open window sat and dreamed to myself, she sang from the top of the roofs of their slightly melancholy song. You seemed to adopt from that, what also made me a little sad the day that lay behind us. At the same time she longed for something that was just coming in: the night. My grandfather called the Blackbird, the "Songbird of the city". It is conceivable, but probably not feasible to describe my life as a series of silent "meetings" with the blackbird.

birds ... A few weeks ago a good friend sent me from Switzerland (Andrea, greetings welcome!) Three small book with three small titles: "The Robins", "The great tit" and "The Magpie". The booklet, just a little larger as include beer mats, short texts and small drawings, but the doors open to large worlds. When I finished reading it, I was not only enthusiastic, but also enriched: I got some new friends. The books are designed as "Adamic" (Walter Benjamin) call to descriptions of "entities". Small worlds are large at a time, simply by two people (Text: Wolter Bos; drawings: Johanne Hoek) to care lovingly for something that is not usually observed.

to Elster I already had a relationship that is described in the twentieth chapter of my book heart works. I already knew what happens to me when I the proud and bold movements and rasping noise of the two magpies - they are most often seen in pairs - in me "repeat": they combine ignorance with sovereignty, an almost impossible feat ... The Magpies are both shy and brutal, and in the colors of their appearance, they reveal that they unite contradictions: deep black and clear white relate to each other confused.

The robins I was not yet really met. Wolter Bos: "For a while the robin is sitting almost motionless (on a hanging branch of a beech JvdM.), Then suddenly it fly unerringly to the nearest shrub, from there to the ground. Nimble and agile, it passes through the vegetation in the recessed spaces. But always, it observed a movement break. So it is awake, but without haste and noise, according to his employment. " [...] While we are watching moves, also us alone. It is as if we had taken place in a quiet, soulful space '.

addition to this text there is a drawing by Johanna Hoek: a hanging branch with tender green, like in the spring of heaven - sitting on the branch (as decided, would have to say really) the robin, with space around it , which is experienced by a space, because the bird is so clear and tranquil as the "center" offers. No, the drawings are not illustrations to the text: they provide an exercise for the eyes. My advice to readers: you only sunk in the drawings, and only then read the text.

"The robins [...] makes for all the control and distance, not a cool idea. Although it lives in its own space, and it is self-sufficient. But unlike the Red-backed Shrike still shimmers with him a kind of internal investment in its environment through ". And: "The rich song of the robin takes a [...] with interior in a province where there is heavy and dark, but that is repealed again in light and brightness".

The author and Artist are modest. They are in the service of a cause, the cause of birds, namely, or rather the cause of the relationship between us and the birds. What she experienced - and thus also "conceivable" - make the close spiritual nature as a space.

What is philosophically a difficult topic to show: the importance of our fine feelings (I do not mean our emotions), their status and significance, in short, their "truth" to light gets in the simple but striking drawings and features a direct evidence. It does so fun to look at the drawings and read the lyrics. They make the world pretty much.

And the great tit? "A man who wants to acquire the ability to rapidly switch in the room, it must first take everything slow. [...] Above all, he must learn to let go of the recent movement in the form, the next currently have. This is achieved without the nervousness, if he is already inside the target. This is precisely the presence in the surrounding space, which is so characteristic of the great tit. These are all spiritual and psychic abilities kind that would be a man erüben. The great tit, where they are ready. They flow from their membership of its kind. Yes, they are kind. "

The booklet can be ordered at wolterbos@zonnet.nl, it exists in Dutch and German.